With an octave jump from the center G2 to the lowest side note, G3, these variations provide a strong bass foundation to the scale.
Happy and uplifting with a bit of motivating and jazzy mystery. A close relative of the major scale, the mixolydian mode lowers the 7th note of the major scale by a half step (F# to F in this case). This tends to trade some of the sugar sweetness of the major scale for a more triumphant and celebratory feeling in the mixolydian mode. These scales play flawlessly with C Major, A Minor and D Dorian.
If you have another variation in mind, please contact us and we will explore if it can also be built.
G2/ G, A, B, C, D, F, G
G2/(D, E, F) G, A, B, C, D, F, G (A, C, D, E) (Not yet built. Up to 6 bottom notes available on the bottom shell.)